New York Times
Kylian' s Return to a Strange Land- State Theater-1994-
"The themes were pursued by Pascal Benichou who was excellent"
- Anna Kisselgoff -

Los Angeles Times
- Nutcraker Prince - Dorothy Chandler - 1990
" Benichou attracted notice for his curly headed good looks, his elegence
of bearing and his secure technique. He prove the real thing, a genuine Cavalier.
=Lewis Segal -

The Washington Post
- Massine's Presages - Kennedy Center - 1993
" Pascal Benichou's romanticism as these dual characters made a male
figure the Ballet's focal point. He molded even supine moments into Rodin forms
and tackled triumphant passage as if he were the most idealistic of cadets.
- George Jackson -

Chicago Sun Time
Alonso King's Prayer - Auditorium Theater - 1992
" Benichou, who has two of the most expressing arms in the business,
literally moved from light to dark"-
- Lynn Voedisch -

San Francisco Chronicle
William Forsythe -In the Middle Somewhat Elevated - 1989
War Memorial Opera House
"Pascal Benichou was the impressive central male, extending tall
and strong both alone and with his partners.
- Robert Commanday -

The New York Times - Arts & Leisure
Lucia Dlugoszewski's Taking Time to Be Vulnerable
"With his long auburn hair and earthy sensuality, he looks has if he had stepped out of a
Pre- Raphaelite painting"
- Christopher Reardon -

WQXR
The World of Dance with Francis Mason - 1998
Taking time to be Vulnerable
" We remember that he is a splendid ballet dancer as well as a modern dancer
but Taking Time to Be Vulnerable, he becomes an expectant creature of here and now.
His body seems to harken to the music, waiting to be in touch with it"
- Francis Mason -

Critic Quotes on Choreography

The New York Times
November 14, 2000
" Innate blend of innocence and sophistication"
- Jennifer Dunning -

Back stage
December 2000
" Powerhouse tour de force.......startling originality"
- Phyllis Goldman -

The New York Times
June 8, 2004
"splendid gestural control"
"powerful...... dreamlike wonder"
- Jack Anderson -